Showing posts with label fantasy. Show all posts
Showing posts with label fantasy. Show all posts

Friday, January 25, 2013

A New Project

I've finished the UFO for the next Historical Sew Fortnightly challenge. The post for that will be coming soon; I got thrown off my posting schedule early this week. ;) In the meantime, here's the unveiling of a project I've been plotting for months!

Last fall, the DFWCG was planning to do a Regency fairy-themed tea party. The tea party plans fell through, so the event was re-cast as the Picnic with the Pixies, not specifically Regency. But I was already in love with my idea. Last week I received the one critical piece that will make it work, so finally, the unveiling of...  

The Paisley Pixie!

I've had lots of inspiration for this idea. I wanted to have a real dress that could easily be de-pixified, so the fairy elements had to be separate from the gown itself.

Pixified

The biggest influence is Katherine's Regency fairy, with her paper wings made from Jane Austen text. I loved this atypical interpretation of the fairy idea, and I wanted to do something similarly unusual. The "paisley" idea was purely a product of brainstorming back in October. I wanted an idea, or a motif, that is immediately associated with the Regency period, just as Jane Austen is. I thought about authors, the wars, and then textiles - and thought of the "paisley" shawls that dominated European fashion. The Dreamstress wrote about the shawls, and the gowns made from them, in a serendipitous post several weeks ago. ;) So my first thought was go make use of the shawl-like motif.

I've always loved fairy wings; I used to make them out of paper when I was a little girl. :) So wings were a necessity, even apart from Katherine's example. I bought some decent wire-framed wings from Joann's during Halloween, and planned to cover them with scraps of old shawls. But surprise, no scraps were to be found! Even on ebay there were only bits for sale, and they weren't cheap. And my conscience started to poke me at the thought of cutting them up further. In desperation I expanded my searches, and started turning up saris. Saris often have the "paisley" motifs (botehs) spread out or lined up, instead of big and intertwined. And it struck me how like feathers the botehs looked... 

This vintage silk sari (for all of $21) arrived last week: 

Vintage Silk Sari 1 

The botehs in the border are 5-6" long apiece. I'm going to cut them out individually, and place them on the wire frame wings like feathers. I'll use some of the small paisley ground to cover the wire wings, and fill in any blank spots. The silk is very light, like "China" silk. 


Vintage Silk Sari 7 

I'm going to get a big loom bobbin to use for a wand (with paisley streamers??), and remake my failed red velvet bonnet into a tam, with a border from the sari. And either real or paisley feathers, depending on what I have left. So this is definitely a Scottish Paisley fairy, not a Kashmiri fairy. ;)

Depending on what I have left of the sari, the plan is to ornament the rest of the dress. I don't think I'll be able to use the big design on the sari; the skirt will be too full for a border, even if I cut it up and turn the motifs lengthwise. :( Any ideas? 


Vintage Silk Sari 8  


The Gown 

The gown itself had to coordinate with the sari, but the sari was one of the last things I sourced. Without it, the whole outfit falls apart, so that's why I've kept this under wraps until now.

I was undecided on the fabric for quite some time, thinking of the short lengths of mauve and blue wool I have in my stash, and considering ekeing out a sleeveless dress. I've always like the ones in Mrs. Hurst Dancing. Then I found the beautiful crimson wool that I used for Jordi's FMA robe. I deliberately way overbought, so that I could make whatever I wanted with the remnants. Not only is the crimson perfect for coordinating with traditional paisley designs, it is a favorite color of mine and reminds me of Megan's warm and colorful Regency winter gown.

All of my Regency gowns are early Regency, with long drapey and/or trained skirts. To be different I'm aiming for the early/mid 1810s, with shorter, slightly flared skirts and more structured sleeves. I also wanted to do a front-fastening dress. Studying the sleeveless dresses, as well as shawl gowns and wool gowns, I came up with my own idea.

The basic inspiration is this 1815 fashion plate of a red shawl gown. 




The skirt length is perfect, just short enough, but not requiring the visible underskirt. More importantly, I love the look of the short sleeves with long white sleeves. I could have two pair of long sleeves, one muslin, and one self fabric, for three looks. With a moderately-low bodice, this dress can do either day or evening duty in nearly all seasons.



I had some difficulty finding a pattern to adapt. I finally settled on the Patterns of Fashion bib-front gown as a base for the bodice and sleeves. Although it's dated to very early Regency, it's really only the trained skirt (and maybe the very high back waist) that make it so. I've adapted the sleeves, particularly to shorten the top sleeve so it's puffier and no longer than the waistline.

The bib front itself is going to be pleated and drawn in. This silk gown isn't a drop-front dress, but it's almost perfect for copying. I hope the wool doesn't have too much body to do this.


I'm using one of the Hunnisett skirts, one with a lot of flared edges. I'm concerned that a front skirt that falls straight from my ribs will pull across my wide hips, so I'm also cutting down the center front skirt at the waist a little. The apron front should allow plenty of room, but there's no point in taking chances.

For trim, I'm planning on self fringe. Jen's redingote fringe turned out so awesome! I've been seeing fringe in a lot of fashion plates now. I like this one, with a double row at the hem and at the cuffs of the short sleeves.
 


I love the long sleeves with buttoned wrist strap, so I'll probably do that, and try adding fringe to the strap. And maybe to the long cuff over the hand, too. This will definitely be my entry for the HSF challenge on Trimming. ;)

I'm leaning toward these blousey ones with the doubled frill for my muslin sleeves. I'd probably do the frill in organza or organdy for lots of poof.



I may have some kind of chemisette or tucker as well. I have a chemisette I can use if I run out of time, or if something else becomes priority.

As for accessories: Green or black shoes, and red stockings! And a reticule. I am so bad about remembering a bag to carry with my costumes.

When I haven't been working on my UFO this week, I've been tracing and testing patterns. Last night I made the last bodice and sleeve muslin. I just need to test the pleated apron front now. I'm looking forward to putting this dress together.

Thursday, December 6, 2012

Maid Marian 1: The Plan

The 2012 Costume College theme was the Golden Age of Hollywood.  Before I knew it, it was May, and I had no idea of what I wanted to do for the Gala.

From what I can tell, most costumers love designing costumes. They're constantly besieged by inspiration and CADD, just overflowing with ideas!  Finishing them, whether it's tedious construction or losing interest, is the harder part.

That is so not me.

I happen to enjoy construction. Sure, I get discouraged, especially with fiddly stuff or something that just doesn't work; but in general, I love putting things together.  As my mother puts it: Sewing starts with one big piece of fabric. You cut it all up into little pieces, and the goal is to get it back together into one piece.  I like that process. I hate testing muslins, but I'm good at layout and cutting.

Inspiration is the hard part. I can't make it happen!  The best way to prime the pump is to look at as many pictures as possible. I'm very visual, so the more pictures, the more likely I'll see something I can go with.  Pinterest has been invaluable for this alone.


Pictures only work when I have some kind of idea, though.  In mid-May I finally realized that this theme was the best opportunity to make an Old Hollywood "historical" costume.  Like Gone with the Wind.  Very 1860s inspired, but also definitely a product of the late 1930s.



I wanted the finished costume to be:

1. Pretty!
2. Have a big impact! (This is the Gala, after all - As Big As Possible is an unofficial theme.)
3. Recognizably inspired by Old Hollywood, whether a direct copy of a famous gown, or a semi-historical design clearly worn over vintage foundations with vintage hair.


I set up a Pinterest board, searched my memories for favorite old historical films, and finally went to some LiveJournal friends for advice.  I thought about The Inspector General or The Pirate for crazy 1830s styles, which I've always been tempted toward. There's also The Court Jester with its brightly-colored princess-seamed 1950s interpretation of "medieval" dress.



And while I was actually typing, I got the best idea. Maid Marian, played by Olivia de Haviland, from the 1938 Robin Hood with Errol Flynn.















There are many other beautiful gowns in this film. Olivia has quite the wardrobe! The first one, called the "Forest Gown" in some places, is possibly the most recognizable and/or iconic. It's the audience's first view of Maid Marian, as well as what she's wearing when she meets Robin in Sherwood for the first time.

There are also plenty of reference pictures for it! That's pretty important when copying a costume. ;)

This closeup was one of the best references for color, fabric, and design.





This is unfortunately black and white, but it's the only clear full-length view I could find. I printed it out and referred to it constantly.




Another close shot, especially good for jewelry detail.



Next time: Shopping!

Friday, September 28, 2012

Costume College - Saturday - Gala

Gala time!

Getting dressed was a breeze compared to last year. We missed the red carpet arrival entirely!  This year, I had a few tricky moments with safety pins, but on the whole my outfit went together easily.

Lauren and her husband ready to ago, with Perry the Platypus, who alas! did not make a red carpet appearance.


In tribute to the Golden Age of Hollywood, I went as Maid Marian, as played by Olivia de Haviland in the 1938 Robin Hood.  (With Errol Flynn, in Technicolor!)

Original film still

On the red carpet (photo courtesy Arandale)

I love this costume. Love it!  It took so much work to make, but the pieces really came together. It's amazing to wear.


I think we turned out pretty good! (One of the husbands was being silly behind the camera, and  can't control my face. :D) (Photo courtesy Beth)


Stephanie in blinged-out 1950s.

R. in silk charmeuse, copied from the 1930s Hitchcock Secret Agent.


Beth in Regency and husband in vintage formal wear. (Photo courtesy Arandale.)

Lauren's gold 1930s, complete with squined and (fake) furred cape. (Photo courtesy Beth.)


I had a lot of assistance replicating... (Photo courtesy Jitteringbug)


... this original continuity still.

Did it turn out all right?
We stayed for the entire Red Carpet arrival, then walked across the street to dinner at P. F. Chang's, which was new to me and YUM. Incidentally we (I?) made the night of two wee little girls who never said a word, but just hovered and grinned, and shyly showed me their sparkly shoes!

Beth took no risks with her gorgeous dress.

Afterward we watched the Gala dancing.

Lauren and Beth and their husbands danced to several songs. Ever seen the Balboa danced in a Regency gown before?


Two fabulous golden ladies (Lauren and Katherine) and their cameras.


The awesome and delightful Megan in her fully accessorized cross-barred silk francaise.
 Shortly after I took the above picture, Megan announced that the evening was to the point where she usually took her dress off.  "!!!" was my initial reaction. Aubry did not hear, so I sneakily got my camera ready.



Megan starts taking out pins and Aubry figures it out.

Dress coming off!

Back to the dance! (That wasn't so bad!)

I didn't stay for the end of the dance; we went back to our rooms, but not to bed right away.  We stayed up way too late talking and unwinding. It was a great night!

Thursday, August 16, 2012

Costume College - Wednesday and Thursday

 Backing up a little bit...

Wednesday was spent entirely on last minute sewing and trimming. Unlike last year, Lauren M. and I had determined NOT to do last-minute stressful sewing. So much for good intentions!  But we actually held to the spirit of our commitment, since neither one of us were stressed (unlike last year) and neither one of us had to sew at Costume College itself (again unlike last year).

So we talked and watched movies and compared opinions and dodged cats and watched our last-to-be-completed outfits take shape.

Mr. Charles approves of the Maid Marian dress.



The best movie for marathon sewing days.
Cat trap!



So Thursday morning we picked up Stephanie, The Girl with the Star-Spangled Heart, at the airport and headed straight to the garment district.  After several crazy hours, we left in good time to make it out of downtown Los Angeles and get to the hotel for registration. Apparently we arrived in the "sweet spot" between the beginning rush and the remaining bulk of attendees, since we had no wait in line and one of our rooms had a refrigerator. GREAT!  After taking all our stuff up, and Lauren M. checking her laptop with the A/V gear for compatibility, we found a grocery store and loaded up on breakfast and lunch items. Best way to save on time and money during Costume College. ;) Then we go dinner and headed back to the hotel for the Carmen Miranda pool party.

By the time we arrived apparently some people had left, and it was rather dark and not really at the pool - but it was still fun to see people.  Lauren (of Wearing History)  and Beth of V for Vintage took the theme and ran with it. Beth was amazing in full be-ruffled and be-fruited Carmen Miranda splendor - complete with banana'd turban! - and Lauren was amazing in white, fringe, and gold butterflies.  By contrast, Stephanie and I were country cousins in sports 40s halter bathing and play suits, respectively.

Beth. Photo by Lady Carolyn.
Lauren. Photo by Claudia La Rue.
Stephanie (right) and me (left). Photo by Val of Time Traveling in Costume.


I wish I had a better picture of my outfit, but I wasn't fully with it yet. :) The outfit started with the original 1940s chenille bathing cape. Lauren sent me an Etsy link probably 9 months ago and I couldn't resist. She's such an enabler!  It's hard to see, but there are red sailboats with blue sails all around the hem of the cape. It's darling.

For the rest of the outfit, I bought a white canvas/duck halter off Ebay, then found royal blue denim at Joann. I used an out of print Wearing History underthings pattern as a base for a bathing suit skirt, and added bands of blue denim to the halter.  I accessorized with a plastic bead necklace and earrings, a red (and totally invisible) crocheted snood, 1940s telephone cord purse, and Diet Pepsi. ;)

When we got tired we went back to our rooms, where we slowly got ready for bed and chatted way too late into the evening.

Friday, August 10, 2012

Well, I'm back.

I didn't really have time to recover from Costumers' Lost Weekend before leaving for Costume College in Los Angeles. I had such an amazing time!  Now I'm finally home now and trying to process my pictures. I've got loads to post, and a lot of costumes to show. For now...